Give me a dime so I can phone my mother

So various things happened in December, and I didn't manage to photograph the Christmas presents I made before they were hastily wrapped and then unwrapped.

This one came back to me for finishing on Boxing Day. It is the Turkish Stitch String Bag, made for my sister. I bought the crochet cotton online earlier this year with the intention of using it for the Sweetheart Dress I made for my niece, but when it arrived it was so bright and shiny, it just wasn't right. I ended up buying a different cotton for the dress, in a similar but softer colour and a slightly softer yarn too.

But little sister loved this apple green, so I put it away with a note on it to consider making a string-style bag for her.

I only added the button and loop today. She took it on a trial run to the pool and concluded that it could do with a closure. It's very wide - I doubled the stitch count because I was using much smaller needles (4mm) than the pattern called for, and I didn't want the holes to be really big. Doubling the stitches might have been a slight overreaction - half as much again might have been enough - though then I might have made it a little deeper. It doesn't really matter as it can stretch in one direction or the other, depending on the weight and shape of what's inside.

This big?

Last time I was at the National Gallery I was happy to see that the pears are back! And the next time, I waited for a group of tourists to finish and then posed for a photo.

undecided

For this one I used a clear sewing thread (like fishing line but finer). I thought this would emphasise the transparent look and help the wool to show through more. But I'm not sure. It looks less sparkly/shiny, but I don't think that could be down to the thread; I think that is just the photography. I don't have one of the first batch here to compare directly.

I'd love to find more clear sequins equal to the quality of the ones I used here (2nd picture). I don't know where they came from, they had been in my bead stash for a while. The clear ones I bought to replace them and have been using for these pears are not as shiny and many have uneven edges or the hole is not in the centre. Of course (once I pick out the rejects), I do still like the overall effect.

she looks ahead not at me

These also went to Craft ACT for their Christmas tree, which was brought out for the first time today. Unfortunately I didn't get there in time, but I did have a sneak preview yesterday.

I am so, so happy with these pears. They are knit and felted as usual, then covered in clear sequins. And I didn't use strips of sequins, I sewed them one at a time. I'm getting quicker.... but it is not fast.

The wool is Cleckheaton Vintage Twist, a very light colourway that includes hints of palest yellow, purple and grey. The sequins have AB coating so they sparkle, but you can also see the colours of the wool coming through. I forgot to measure them but I think they're about 5 or 6 cm high, not including the loop.

The tiniest sparks in the tenderest sound

One of these is left over from last year. It seems to play ok with the others. I kind of wish I had posed it with a less wonky bit of stitching to the front, though.

These have been dropped off to the CraftACT shop, and I'm working on some more. If you're in Canberra you can check them out as well as other new Christmas stock at the Christmas event on Saturday 27 November 2010 from 2pm-5pm.

Bling! now in brooch form

I'm wearing it today as a brooch, though I still want to use a piece like this in a more elaborate version of this necklace.

It must have been the tax return eating my brain (PS It's ok, I lodged it the other day), I forgot I wanted to acknowledge that I took direct inspiration from Alwen's gorgeous bead embroidery, though mine is still much less fine.

Bling

Something I did today: played with beads and sequins.

Probably for use in this manner.

Something I didn't do today: finish off my tax return. Oops.

Mystery feltable

In op shops I always check for wool but I don't often find anything I can use. This was just one ball, which had been partially knit and rewound tightly, marked 60c. It didn't look that appealing for most purposes, but for that price I took a gamble. It looked like it had nice colour changes, and it felt like it might felt. I tested a piece and it felted really nicely. So I'm getting started on this year's Christmas baubles. (Experimenting with a different shape too). I would love to know if anyone recognises these colours, though I might need a daylight photo.

My friend Funbeard has an exhibition at the Collingwood Gallery in Melbourne, opening this Friday. K is going down for the opening with several friends, and I'm sure it will be awesome. I'm disappointed not to be going. I really love the 'Helm' work that he's shown on his blog, and nothing beats seeing the real works in a gallery space.

The Women's Press Science Fiction

I’ve had a couple of these books on my bookshelf for many years, and I'm not sure I even read them. I think I tried at least one, and may have found it a bit hard to get into.

But just recently I stumbled across another at my local op shop, and something about it appealed to me. I was something like 10 cents short of the marked price and the lady was happy to accept my pile of change. I was at pains to promise I would make a donation next time, not wanting to seem to be trying to rip off a charity. Whereas she was seriously concerned to make sure I would be ok, having spent all the money in my wallet. It made me aware of the level of privilege I have, knowing I can always get more money from the ATM. I’m probably a little too relaxed about how much is left in my wallet – which is how I even ended up going into the op shop with less than $2 on hand.

I started reading Marge Piercy's 'Woman on the edge of time' straight away and really enjoyed it. Now that I’m older and wiser, I’m better equipped for reading science fiction than I used to be (though I was always attracted to it and did read quite a bit). And I know my brain is increasingly wired for feminism.

A few days later I found a few more at the book fair and I decided I would keep collecting the series. Since then I’ve found a couple more from Lilitu’s books and music - we were at Gold Creek for a wedding on Saturday and had time to kill before moving on to the reception. I’m not even bothering to read the descriptions on the back first – I’m sure I’ll like some and not others, but they go for just a few dollars each and I love a good collecting challenge.

This is the logo inside the front cover of every book in this series.


My first reaction was that it's hilariously wrong. I couldn't believe that a logo and slogan ("steaming ahead") based on ironing would be chosen for The Women’s Press. Yeah, I was a bit slow to get the pun on the word "press", but still. The women's press was set up in 1978 to publish feminist writing by women. Why would they want to use ironing as a symbol?

But when I showed K, he didn't see anything odd about it, he just thought it was deliberately ironic. Which echoes what founder Stephanie Dowrick says:

"Then, of course, we brought in the jokes too, which centred on the emblem of the Press, our little iron. This was a joke about not being oppressed. Ironing is extremely repetitious and typically women's work and we were asking you, with this little iron, steaming ahead and red hot and all of that, not to be quite so oppressed."

I wonder if my lukewarm reaction is a sign of the times. Even my much-increased interest in feminism in recent years is probably a reaction (I have to be different) to the current mood of conservatism in these matters.

I guess it was expected and even assumed that the audience would totally get the irony. But today in 2010, I think it looks iffy. Is it just me?