Friday, October 07, 2016
I knew I'd make this dress again one day. The pattern is 'Sweetheart' by Tora Frøseth, and this is a for new little friend who has just arrived. Probably a bit too big yet, but it should fit for a while.
I didn't have enough of the main peach/orange colour to finish it - at least, I wanted as much length as possible so I decided to use it all up and then trim with another colour. My colour consultant and I weren't too sure about this pale blue - just slightly turquoise - in the ball but very happy with it once knitted up. It was a little bit left over from another baby dress, which never made it onto the blog. (But is on Ravelry)
This time around I was able to add that heart in the hem AND keep knitting in the round. This made me happy. Last time I had to knit it back and forth (like the yoke is written) because I couldn't figure out how to reverse some of the stitch instructions for the heart. I believe this is what they call Growth As A Knitter.
Sunday, September 04, 2016
During the knitting of the dark pink tunic for my niece, it emerged that her brother would quite like a knitted jacket. We searched Ravelry for something he liked and found this gem, "Just Chill" by Amanda Woeger.
What a great pattern! All knit in one piece which I love, top down in the round with an interesting saddle shoulder construction, well explained. I was so happy with it, the knitting went really smoothly and I managed to play the gauge/size game just right (which is never a given, especially when knitting a worsted pattern with 8ply). With no ripping and reknitting it was all done bar the shouting - and by that I mean the zipper - in two weeks. And it was all finished and handed over before I went to New Zealand - so there has been plenty of cold weather for him to wear it.
Inserting a zipper for the first time was a bit daunting but Mum got involved and it went pretty smoothly, with a combination of hand and machine stitching. The only thing I wish I'd done differently was to stop the zipper a good bit lower than the top of the collar. The collar comes up quite high on his neck and the top of the zipper is scratchy, so he can't zip it right up. We had to shorten the zipper anyway - Mum showed me that you can make a new stopping point for the zipper by simply stitching many layers of thread between the (new) top two teeth. So we could have shortened it a tad more.
We had planned to use Bendigo Classic, but I was worried that he wouldn't wear it if it was at all scratchy around the neck. So I decided to substitute something much softer for the blue trim. I was lucky to find some Zara in the same bright blue he had already picked. A bit more expensive, but worth it. Classic is a robust crepe style wool. Normally I find it quite ok to knit with, if not luxurious, but it was just so unpleasant in this red colour. It kept wanting to split and unravel itself during the knitting, even though, strangely, the final fabric turned out quite ok.
More recently (post-NZ trip) I made this frog hat - "FROG - the good kind' by Deborah Tomasello. The name is a bit of a knitting joke because to "frog" is to rip out your knitting to correct a mistake or to pull it apart completely ("rip-it, rip-it"...etc) - often a sad decision.
This was a special request for someone who loves frogs and may be needing a chemo hat - so I used cotton to avoid any irritation and also avoid making it too hot for possible daily/indoor wear.
I used French knots for the eyes and duplicate stitches for the flies. The bulging three-dimensional eyes are a bit freaky looking when you see them side-on...but I think they work.
Wanna see the inside? To be honest, I did choose one of the tidier views here. All those French knots and flies were done with a single thread winding around the inside of the hat (also the white for the mouths) so that area is not so neat.
Monday, August 22, 2016
In Australia we often feel far away from everywhere - but New Zealand is a pretty close neighbour. It can even be a bit quicker and cheaper to fly there than to Perth, on the other side of Australia. I always knew I would go there at some point, and finally the excuse came when a friend planned to spend his 40th birthday in Queenstown. As you probably know, I am a sucker for a ski trip, and one thing about NZ is they have higher mountains and also a good deal more snow than us.
I started with a weekend stay with an old friend in Wellington, which was just lovely. I really enjoyed what I saw of the city. She lives in a lovely renovated old house way up in the trees. Though almost everyone lives somewhere up a hill in Wellington, where there is almost no flat land, her place was extra special, with over 100 steps to climb up from the street. (And nope, no driveway or garage up there). I woke up to this peaceful view.
Then I met up with my skiing and boarding friends in Queenstown, way down on the South Island, From there we could access several skifields, but we stuck with the two closest, Coronet Peak and the Remarkables. On our first day, at Coronet Peak, I was blown away by the amazing views (top photo in this post. And several more below).
At the Remarkables, we got to the top of the highest lift, higher than the ones at Coronet Peak. And I briefly thought I was higher than I had ever been before. But a bit of research that night revealed that the highest lift at Thredbo is actually a bit higher.
The Remarkables does not have the amazing views in almost all directions that Coronet Peak can boast. However it does have some cool carved stone birds. (And some great skiing, of course)
It seemed to be colder there, at least on the days we were there. We had ice forming constantly on our goggles. On our second day up there, in the morning it was minus 10 C plus wind chill, leading pretty quickly to an extra, mid-morning coffee break to defrost. Now I know if (when) I ever ski in Japan I'm going to need more layers!
It was beautiful at the Remarkables once the sun came out. The snow was great in both places - we were really lucky, as just a week or so before we arrived there had basically been no snow. I had decided not to check any reports beforehand, because (a) our local skifields in NSW were getting massive dumps of snow just before I left and (b) my NZ trip had long been booked and paid for.
The views from Coronet Peak were just stunning. Jaw-dropping.
It was a bit weird at first to see no trees, just wide open space and varying terrain.
I had a day up at Coronet Peak on my own when all my friends were having a day off, and I arrived just in time to join up with a free guided tour. This was one of the best things I did all week, even though I was the slowest in the group, especially on the off-piste runs. It was just enough for me to feel challenged and pushed a bit, without worrying that I was seriously holding up the group. (I've had that situation in group lessons and it really sucks.) There were only two other 'clients,' a skier and a snowboarder, both a good bit more experienced than me, with two guides and also a 'media guy' who was taking photos for the local newspapers. The highlight was a real powder run, something I've never really done before - and by this point after having a couple of mild stacks in slow motion earlier, I managed to keep enough momentum to stay upright too. I was thrilled with that!
On the last of my five ski days, Coronet Peak won, and it was a stunning bluebird day.
We had some good times in Queenstown as well of course, including a special birthday dinner at the Stratosfare restaurant, with a gondola ride to get up the hill, and people bungy jumping not far from the restaurant window.
They also had Jelly Belly art.
Yep. Pictures made by mosaicing mini jelly beans. So now I've seen that.
On the last day we had time to wander around the town before going to the airport. We stopped for a while to listen to pianist/composer/busker AJ Hickling (Evolving Rhythms).
He rescued his piano from the rubbish tip and restored and learned to tune it himself. His music was beautiful.
I'm sure you could come to take it for granted, but my favourite thing about Queenstown was that everywhere you look, there are gorgeous snow-capped mountains in the background.
Also much of the time, paragliders in the sky. The Queenstown area is quite the centre for adventure sports, with the bungy jumping, whitewater rafting and of course heli-skiing, if you can afford it.
Tuesday, July 26, 2016
It's a funny time to be writing about this one as it's very much a warm weather cardigan, and even though I had it mostly finished way back when the weather was still warm, I was unhappy with it and kind of threw it in the naughty corner. So by the time I pulled it out and did the last touches - adding the button and loop, and crocheting an edge on the collar to make it a little longer - it was really too cold to wear it. (These photos were taken the same day as those of my magnificent warm coat.)
The story of this cardigan starts way back in this post about our time in Kyoto last June. Scroll down to the latter part of the post to read about our rushed visit to Avril, where the possibilities are almost endless as they blend the yarn for you on the spot; but it took us a while to work that out, due to us not speaking Japanese!
I bought this as a kit - now that I think about it, probably my first ever kit. The pattern was only written in one size, which is apparently not uncommon in Japan. So it was lucky that the sample garment fit me quite well, though I planned to make it about 10cm shorter.
It was also written in Japanese. I am so grateful to my friend's lovely mum, who is also our former neighbour from childhood, who was happy to translate the pattern for me. Once I had the basic instructions it wasn't hard to understand the Japanese schematic method of presenting the pattern. There is a lot less written out than in a typical English-language pattern.
I was pretty sure that I achieved the right gauge, and yet my cardigan is smaller on me than the sample one was. It is wearable, but it also annoys me that the fronts hang much lower than the back. I usually blame that sort of thing on my particular proportions and posture compared to the designer - some patterns you have to tweak for your own body of course - but in this case I tried on the sample and it was fine!
Placing the button quite high helped with this a bit, and I was glad I decided to just do a loop for the button after finishing, rather than gambling on where to put the buttonhole. Honestly I'm still not sure whether I'll find this wearable. I think it looks better in the photos than in real life. But I still hope that it might stretch and grow a bit with wear, because in this case I think that would actually be an improvement.
Friday, June 24, 2016
I have a new coat for winter. A new, unique, hand made for me coat.
I feel so incredibly blessed because my mum gave me an IOU for my 40th birthday (last year), and she is an amazing artist, designer and artisan of exacting standards.
We decided to hunt for fabric on our Japan trip in June last year. It was early summer, and the first few fabric shops we tried had few or no winter fabrics in stock. Finally we hit the jackpot on one of the last days in Tokyo, when we went to Nippori Fabric Town, a neighbourhood specialising in fabric and haberdashery. So many fabric shops.
Even there we really only found the right kind of wool in one place. Luckily it was this fabulous charcoal, and a small amount of the black and white textured wool for contrast. In another shop we found a lovely piece of green leather.
Mum used up almost every scrap of that leather with the piping around the collar and down the fronts, edging the sleeves, and along the shaped seams on the back flowing around the pockets; and all the other greenery she added. (Above, you can see the piping around the pocket, and the fancy pocket lining which shows just in little flashes as I wear it).
The lining fabric Mum found in Melbourne and it is perfect. She always likes to use interesting prints instead of plain linings. This stuff is 'shot' so that from one angle it looks green (sadly, I did not capture this in a photo) and the other purple.
The coat was based on a pattern Mum had used before for her own winter coat, but she drafted the assymmetrical collar from scratch with some suggestions from me, and taking inspiration from a different asymmetrical coat I had seen in a catalogue.
One of the first things that struck us about Tokyo was the amount of greenery everywhere, as well as the incredible tidiness in such a big city. Mum took that idea as her inspiration and hence the name, Tokyo Oxygen. The green 'fingers' have a double meaning for us, representing the green growth and parks we loved in Tokyo, and also a stylised city skyline.
Here are two great details. There are two subtle zippered pockets inside the lining, perfect for a passport or bus pass. And the gorgeous buttons came from a collection my aunt bought in Nantes, France, as a souvenir for Mum. I really liked them so much better than anything else we could find, but they were a little too small. I hit the jackpot at the Camelot stall at the Old Bus Depot Markets, finding some slightly bigger plain ones in the same dark silver colour, which fit exactly behind the smaller gold and silver ones. I love mixed metals.
It is so warm, and completely unique and I am absolutely loving wearing it.
Oh and I happen to have almost matching green boots - hand-me-downs from little sister many years ago.
Sunday, June 19, 2016
The story of this cotton dress/tunic for my 8-year-old niece comes from two previous ones. Years ago, I thought it was pretty amazing that she was still wearing the red Little Sister's Dress I made when she was a baby (about 10 months here) well over a year later. So I was inspired to make a similar dress, the green 'Sweetheart' which she started wearing at age two. I was so happy to see she was still wearing it three years later. But get this: another three years on, she still wears the old green one as a top.
Now she is eight, and has a new dress. It's about knee length, and it probably won't take long before it's technically more of a tunic.
I don't know how long it might be before she decides it's a bit young for her, but I think it should fit for a while. The buttons are maybe a bit little-girly but they can be changed. I actually wanted either a matching dark pink or maybe a strong blue to pick up one of the colours in the contrast stripe yarn.
The contrast stuff was a souvenir ball bought in Japan.
The pattern - Fiona's Top by Sanne Bjerregaard - actually only goes up to a size 6, but I did use a slightly heavier yarn than the pattern specifies. It's 4ply Bendigo cotton in a carefully checked-with-Miss B dark pink. For that is how she likes her pink. I did add some stitches before joining front and back, to make a better shaped armhole, but I also did one less increase round than the pattern called for, because it just didn't need that much fullness.
While the freshly washed finished garment was hanging in my house, I found it such a curious piece of knitting. It's just on an unfamiliar scale. Too small for me, but much bigger than any kids/babies items I've made. Quite a decent chunk of knitting!